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Corpse Whale (Sun Tracks)
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From Booklist
In her captivating debut, Inuit poet okpik creates a world both prehistoric and contemporary, part boreal forest, part bestiary of the half-imagined, filled with caribou and rhubarb, mastodon tracks, snowberries, and demon flowers. Okpik litters this landscape with soda bottles and oil slicks and alludes to psychology and DNA, vital concerns for a poet who is so interested in ideas of historical space and self-identity. Perhaps for this reason, okpik’s speaker refers to herself always as “she/I,†a disorienting approach that results in less a hazy dream-state than a crisp hallucination encompassing the smoky spell of a mendicant’s intoxicant and the interrupting edges of cairn rocks and shark teeth. Okpik’s use of Inuit vocabulary and her gift for unconventional poetic arrangement on the page interweave to create a primordial cyberspace, a surreal world through which the estranged speaker navigates disintegrating glaciers, blue floes, white space. And there is always a human spirit underlying the ice and hiding between silver birch and elderberry, invoking her ancestry, steering by the polestar. --Diego Báez
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Review
"In Corpse Whale, okpik has layered old Inuit land knowledge with an old English-language poetic mode to form something wholly new. . . . an invigorating read."—Terrain.org "Unlike poets who adopt cultures into which they weren't born, or raised, okpik, who has fished the waters of which she writes so eloquently, has something rare these days: an authentic voice, one that nets ancient beliefs without disgarding modern science or the daily news."—Poetica “Corpse Whale is a refreshing departure from many of the tropes we see in contemporary poetry. It is an emotive illumination into a corner of the world we so rarely get a glimpse of. Intimate and storied, okpik’s work ushers us into a new poetic topography that is both imaginative and necessary.”—Matthew Shenoda, author of Seasons of Lotus, Seasons of Bone“dg okpik’s remarkable prowess in literary composition, in curating silence and space, presents a vessel of breath ripe with a singing, resonant and clear. Suspended with an undercurrent, a waving future steeped in thawing history gleaned for immediacy, a presence, [okpik’s poetry] is incredibly impressive and mindfully engaging. This book is a wave of consciousness from an extraordinary human being bringing us home. Nothing like it before, now suddenly essential, like an earthquake uproots soapstone, a part of us was always here, and okpik insists we relax into it and feel this flow. Fall in, don’t look back. You need this. You do.”—Allison Adelle Hedge Coke, editor of Sing: Poetry from the Indigenous Americas“How many new old worlds and times we inhabit in dg okpik’s poems! ‘Is this the way to the earth?’ she asks, inviting us to dive right through the icy depths with her, scanning, roaming. We learn that it is not just time but all worlds that are contemporaneous in the mind. Haunted by the past, present, and future in several forms and selves, we begin to understand the healing of these poems is to put time back into itself. In a multiplicity of presence the poet watches her other move through time, enacting these stories as the months turn and turn again, renewed and ancient in their language.”—Eleni Sikélianòs, author of Body Clock
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Product details
Series: Sun Tracks (Book 73)
Paperback: 112 pages
Publisher: University of Arizona Press; First edition (October 11, 2012)
Language: English
ISBN-10: 0816526745
ISBN-13: 978-0816526741
Product Dimensions:
6 x 0.3 x 9 inches
Shipping Weight: 5.6 ounces (View shipping rates and policies)
Average Customer Review:
4.7 out of 5 stars
3 customer reviews
Amazon Best Sellers Rank:
#593,466 in Books (See Top 100 in Books)
While looking for a few words to accompany a photo of umiaks (seal skin whaling boats) framed in Northern Lights I'd made a few years ago, I came across these lines from okpik's poem "Tulunigraq: Something Like a Raven": Quarrtsiluni sitting in silence where all things and all beings reach back into time before iron and oil.Okpik arranges her images across the page in a manner that forces the reader to go slowly, to breathe slowly, to see, and to hear, and I felt myself being taken back - to Alaska's North Slope, to the village of Point Hope and to other places I'd been in the far north, and then further back, to places I had never been - to old Tikigaq, to villages and settings scattered across Alaska and Greenland and beyond, to a time, indeed, "before iron and oil." Okpik's writing is sure and precise, at times reminiscent of carefully sifting through an archeological dig, anticipating what might be found, in awe of what is found. The culture she invites the reader into is one of myth-making, spirituality, subsistence hunting and gathering, veneration of elders and ancestors and a closeness to sinew and cold. The landscape is one of ice and sea, of magma cooling, the vast sweep of the tundra. Threaded through this are spirits and caribou, whales and ground squirrels, edible plants and seal oil lamps, Eucharist wafers and hooligan jigs. Okpik has given us poems that take us to places and to times few of us have experienced or will experience. The journey is mesmerizing.
Her work is amazing.
fabulouse
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